Acting credits
5
Early stage
Smaller on-screen catalog so far.

Directing
These indicators come from TMDB. They are relative signals, not review ratings.
Acting credits
5
Early stage
Smaller on-screen catalog so far.
TMDB popularity
0.5
Low visibility
TMDB internal trend index. Higher usually means more searches and page activity now.
TMDB ID: 1024165
IMDb ID: nm0565560
Known for: Directing
Born: September 26, 1869
Died: July 26, 1934
Age: 64
Place of birth: Michigan, USA
Gender: Male
Adult content flag: No
Career span: 1906 - 2022
Years active: 117
Average TMDB rating: 6.59
Wikidata: Q207960
Also known as
Zenas Winsor McCay • Silas
Other jobs
Zenas Winsor McCay (c. 1866–71 – July 26, 1934) was an American cartoonist and animator. He is best known for the comic strip Little Nemo (1905–14; 1924–26) and the animated film Gertie the Dinosaur (1914). For contractual reasons, he worked under the pen name Silas on the comic strip Dream of the Rarebit Fiend. McCay was an early animation pioneer; between 1911 and 1921 he self-financed and animated ten films, some of which survive only as fragments. The first three served in his vaudeville act; Gertie the Dinosaur was an interactive routine in which McCay appeared to give orders to a trained dinosaur. McCay and his assistants worked for twenty-two months on his most ambitious film, The Sinking of the Lusitania (1918), a patriotic recreation of the German torpedoing in 1915 of the RMS Lusitania. Lusitania did not enjoy as much commercial success as the earlier films, and McCay's later movies attracted little attention. His animation, vaudeville, and comic strip work was gradually curtailed as newspaper magnate William Randolph Hearst, his employer since 1911, expected McCay to devote his energies to editorial illustrations. In his drawing, McCay made bold, prodigious use of linear perspective, particularly in detailed architecture and cityscapes. He textured his editorial cartoons with copious fine hatching, and made color a central element in Little Nemo. His comic strip work has influenced generations of cartoonists and illustrators. The technical level of McCay's animation—its naturalism, smoothness, and scale—was unmatched until the work of Fleischer Studios in the late 1920s, followed by Walt Disney's feature films in the 1930s. He pioneered inbetweening, the use of registration marks, cycling, and other animation techniques that were to become standard.
Movie credits linked with Winsor McCay.
Characters
as Himself
Original Story
Comic Book
Writer
Director
Director
Director
Director
Director
as Himself
as Self
Director
as Himself
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