Francoise Mollet
Ruth Chatterton
Francoise Mollet

“Hell Hath No Fury Like a Wife Starved for Love!”
A woman murders her husband's mistress and someone else gets accused of the crime.
Francoise Mollet
Ruth Chatterton
Francoise Mollet
Paul Mollet
Adolphe Menjou
Paul Mollet
Odette Florey
Claire Dodd
Odette Florey
Chautard
George Barbier
Chautard
Cartier (as Douglas Dumbrille)
Douglass Dumbrille
Cartier (as Douglas Dumbrille)
Costelli
Noel Madison
Costelli
Doctor
Henry O'Neill
Doctor
Young Man at Party
Phillip Reed
Young Man at Party
Henri Marcher
Henry Kolker
Henri Marcher
Herr Winterstein
Frank Reicher
Herr Winterstein
Rigaud
Edward McWade
Rigaud
Florestan
Walter Pidgeon
Florestan
"Moliet" (Adolphe Menjou) is under pressure from his mistress "Odette" (Claire Dodd) to end his marriage and come live with her. He is reluctant, but his hand is forced when his wife (Ruth Chatterton) overhears a bit of conversation that causes her to preempt things by shooting her rival - conveniently, as it happens, as hoodlum "Costelli" is nearby, apprehended and convicted of the crime. Thing is, "Moliet" knows who really killed his lover and she knows he knows, so their home life becomes something quite attritional with "Francoise" determined to keep her man at all costs and he equally determined, though rather benignly, that she will come to terms with the ramifications of her actions and, he hopes, do the right thing. Will she, though? The film here isn't really anything more than a standard revenge drama, but Chatterton's role offers her a chance to play the increasingly troubled character with some deft. Her gradual realisation of the impact of her actions - on her, her husband and even on the man who will take the rap, gradually makes her ill and lifeless and she performs this latter part of the role so as to encourage us to feel almost sympathetic for her. Menjou does fine as a conduit for his co-star to shine here and though the denouement is a bit of a let down, it's still worth a watch to remember that Ruth Chatterton's move into sound pictures was a great deal smoother than many.
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