Marie
Anne Wiazemsky
Marie
Overview
The story of a donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly.
Trailer
"Au hasard Balthazar" | "Наудачу, Бальтазар", 1966 (Rialto Pictures trailer, english subs)
Cast
Jacques
Walter Green
Jacques
Gérard
François Lafarge
Gérard
Arnold
Jean-Claude Guilbert
Arnold
Marie's Father
Philippe Asselin
Marie's Father
Merchant
Pierre Klossowski
Merchant
Marie's Mother
Nathalie Joyaut
Marie's Mother
Baker's Wife
Marie-Claire Fremont
Baker's Wife
The Priest
Jean-Joël Barbier
The Priest
Reviews
tmdb47633491
Devastating. Crazy to see Adele Exarchopoulos so young. You'll never hear the sound of a donkey braying the same way again
Read full reviewCinemaSerf
The novice actor Anne Wiazemsky is really effective as "Marie", a young woman who has shared most of her life with her donkey "Baltahzar". Initially her childhood pet, this creature has spent much of his life as the victim of inhumane treatment at the hands of subsequent owners - including her rather wretched boyfriend "Gérard" (François Lafarge) - that in may ways mirrors her own mistreatment and unhappiness. Unlike the human beings, though, "Balthazar" cannot communicate his feelings - he must quite literally just grin and bear it as he is used as a beast of burden, exposed to all weathers and generally neglected. Robert Bresson uses this scenario to compare and contrast the treatment of this animal with the way people treat each other - generous and engaging when they want something; brutal and selfish when they have or don't want it any more. This film offers us a depressing, yet curiously uplifting at times, view of the fickleness of youth and the intolerance of age - subtly. The dialogue is curiously aloof - almost superfluous as the story and their intertwined lives advance with an inevitability as certain and life and death itself. The photography is lingering and intimate, the pace gentle and it's touching. It is also real and gritty and plausible - and certainly a film that leaves you thinking.
Read full reviewFeaturettes (1)
Donald Richie on Au Hasard Balthazar
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