Steve Banning
Dick Foran
Steve Banning

“The tomb of a thousand terrors!”
A couple of young, out-of-work archaeologists in Egypt discover evidence of the burial place of the ancient Egyptian princess Ananka. After receiving funding from an eccentric magician and his beautiful daughter, they set out into the desert only to be terrorized by a sinister high priest and the living mummy Kharis who are the guardians of Ananka’s tomb.
The Mummy's Hand (1940) Official Trailer - Dick Foran, Peggy Moran Movie HD
Steve Banning
Dick Foran
Steve Banning
Marta Solvani
Peggy Moran
Marta Solvani
Babe Jenson
Wallace Ford
Babe Jenson
The High Priest
Eduardo Ciannelli
The High Priest
Professor Andoheb
George Zucco
Professor Andoheb
The Great Solvani
Cecil Kellaway
The Great Solvani
Dr. Petrie
Charles Trowbridge
Dr. Petrie
The Mummy
Tom Tyler
The Mummy
The Beggar-Henchman
Sig Arno
The Beggar-Henchman
Egyptian Starting Fight
Eddie Foster
Egyptian Starting Fight
Bartender
Harry Stubbs
Bartender
Bazaar Owner
Michael Mark
Bazaar Owner
Not a bad movie for a rainy Saturday afternoon. It's a little serious and a little bit fun. Keep an open mind and realize this isn't a million dollar production and it can be very enjoyable.
Read full reviewUltimately, this spawned three sequels that develop the tales of "Kharis" (this time Tom Tyler) as he is raised from his perpetual living death to reconcile with his "Princess Ananka". By far the best of them, this film starts off with Dick Foran ("Steve Banning) and Wallace Ford ("Babe Johnson") as two hapless archaeologists who accidentally discover and defile the tomb of "Kharis" who, together with his menacing, megalomanic High Priest "Andoheb" (George Zucco) are not best pleased. Revived by his potent elixir of Tan leaves, the mummy sets off to wreak vengeance on his desecrators - and, of course, to find his long lost gal whom he hopes will buy into his new "been in a terrible fire/hospital" look. The production is a bit basic - there is plenty of repetitive use of the same shots but the cast/writing in this are quite decent - Cecil Kellaway and Eduardo Cianelli are quite effective at keeping the story moving along between strangulations and it's got quite a good conclusion too. No relation to Karloff's 1932 version, but still quite an enjoyable development go the them that I rather enjoyed.
Read full reviewJoe Dante on THE MUMMY'S HAND
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