Candice Norman
Olga Karlatos
Candice Norman

“Save the last dance... for hell!”
The world of dance can be brutal. The rehearsals are grueling. The competition is fierce. At the Arts for Living Centre in New York City, the best of the best are dying for a part in a major production. But only a select few will be chosen. The selection process seems to be at the hands of mysterious killer who pierces women's bare breasts with a hatpin, puncturing their hearts. Ambition and jealousy appear to be the motive, which makes everybody a suspect!
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Candice Norman
Olga Karlatos
Candice Norman
George Webb
Ray Lovelock
George Webb
Lt. Borges
Cosimo Cinieri
Lt. Borges
Prof. Davis
Giuseppe Mannajuolo
Prof. Davis
Dick Gibson
Claudio Cassinelli
Dick Gibson
Joan
Berna Maria do Carmo
Joan
Gloria Weston
Belinda Busato
Gloria Weston
Jill
Maria Vittoria Tolazzi
Jill
Margie (as Geretta Marie Fields)
Geretta Geretta
Margie (as Geretta Marie Fields)
Willy Stark (as Cristian Borromeo)
Christian Borromeo
Willy Stark (as Cristian Borromeo)
Voice Analyst (uncredited)
Al Cliver
Voice Analyst (uncredited)
Phil, the Agent (uncredited)
Lucio Fulci
Phil, the Agent (uncredited)
**_The Godfather of Gore’s version of “Flashdance”_** Shot in the winter of 1984 and helmed by Lucio Fulci, this giallo was influenced by the success of “Fame” and “Flashdance,” just combined with “Curtains.” To be expected, there’s a whodunit angle with slasher bits, yet it’s restrained in terms of gore, although there’s an explicit hatpin penetrating a woman’s chest sequence. It starts quite entertainingly, but becomes increasingly contrived and curiously dull, particularly as it switches into the last act. Whatever was captivating about the opening is essentially jettisoned for a less interesting whodunit mystery and the detective work thereof. However, there are some creative elements, and the female cast is good. The top ones for me are Maria Vittoria Tolazzi (Jill), Angela Lemerman (Susan) and Belinda Busato (Gloria) with a nod to Carla Buzzanca (Janice). A few years later “StageFright” and “Death Spa” would tread similar terrain and do it marginally better. Yet it’s superior to “Killer Workout.” It runs about 1 hour, 33 minutes, and was shot in the studio in Rome, with exterior sequences done in New York City. GRADE: B-/C+
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