Theresa 'Tree' Gelbman
Jessica Rothe
Theresa 'Tree' Gelbman
Happy Death Day
“Get up. Live your day. Get killed. Again.”
6.7
2017
1h 37m
ComedyHorrorMystery
Director: Christopher Landon
Overview
Caught in a bizarre and terrifying time warp, college student Tree finds herself repeatedly reliving the day of her murder, ultimately realizing that she must identify the killer and the reason for her death before her chances of survival run out.
Trailer
Official Full Trailer Official
Cast
Carter Davis
Israel Broussard
Carter Davis
Gregory Butler
Charles Aitken
Gregory Butler
Lori Spengler
Ruby Modine
Lori Spengler
Nick Sims
Blaine Kern III
Nick Sims
Danielle Bouseman
Rachel Matthews
Danielle Bouseman
Dr. Winter
Billy Slaughter
Dr. Winter
Tim Bauer
Caleb Spillyards
Tim Bauer
Police Officer
Jimmy Gonzáles
Police Officer
David Gelbman
Jason Bayle
David Gelbman
John Tombs
Rob Mello
John Tombs
Ryan Phan
Phi Vu
Ryan Phan
Reviews
Gimly
If _Mean Girls_ and _Groundhog Day_ had a baby... and then that baby stabbed you... H_appy Death Day_ is an imperfect movie that I had **such** a good time with. I was on board ever since I first saw the trailer, and though it won't be making my top 5 or anything, I definitely was not disappointed. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Read full reviewtmdb44006625
Happy Death Day is surprisingly great fun. It doesn't have a reason to exist other than to tell a slasher film in the Groundhog Day formula, but it's funny when it wants to be, creepy when it wants to be, and Jessica Rothe has got great screen presence. The film could have benefitted from more creative kills (and an R rating), but for a one or two time watch, Happy Death Day is sure to entertain.
Read full reviewbeyondthecineramadome
Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/kill-me-baby-one-morenbsptime-happy-death-day-review<a> _Happy Death Day_ works because Rothe is a charismatic lead, invoking the scream queen performances of yesteryear. Most of the other characters are far more secondary, so the burden falls on Rothe to bring life to a grounding role. As the lead, Tree needs to be intriguing enough for the audience to put up with the repetitive nature of the genre, but also pliable enough to allow her character to grow. Her relationship with Carter is particularly interesting because it has to both progress over the course of one day for Carter (who forgets everything as the day resets) and vary for Tree over the many different versions of the one day she lives through. Their relationship must be both a blank slate and feel as though the needle has moved forward at the end of each repeated day. Broussard and Rothe are able to sell it completely from the first time Tree wakes up confused in Carter’s bed.
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