Eugênia Ramalho
Natasha Karasek
Eugênia Ramalho

Dispossessed in an essay about the daily bread. In a country like Brasil, of such abyssal social inequality as there is here, it's urgent for me in cinema to talk about the class to which I belong, the class-who-lives-on-labor. And, alongside that, about the labor relations, the survival, the unemployment, the increasingly impoverished life, the small popular uprisings and the confrontations with the non natural order of things. In "Bread and People", we deal with ruins. And in the struggle of the old against the new, we face mainly the ruin of an idea of progress, and the debris of a critical anti capitalist art today. We've deepened our investigation of an epic, historical and dialectical cinema, using the materials of inspiration themselves.
Eugênia Ramalho
Natasha Karasek
Eugênia Ramalho
Milulu
Rafaela Carneiro
Milulu
Massinha
Rani Guerra
Massinha
Mário Barracus
Renê Costanny
Mário Barracus
Ana Zougue
Talita Araujo
Ana Zougue
Desempregada
Cristiane Lima
Desempregada
Desempregado
Lucas Guerra
Desempregado
Bastião
Rogério Guarapiran
Bastião
Farrapo
Thiago Calixto
Farrapo
Carlota Barracus
Carlota Joaquina
Carlota Barracus
Ramos
Iarlei Rangel
Ramos
José
Renan Rovida
José
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