Empress Elisabeth
Vicky Krieps
Empress Elisabeth

A fictional account of one year in the life of Empress Elisabeth of Austria. On Christmas Eve 1877, Elisabeth, once idolized for her beauty, turns 40 and is officially deemed an old woman; she starts trying to maintain her public image.
Official UK Trailer Official
Empress Elisabeth
Vicky Krieps
Empress Elisabeth
Franz Josef
Florian Teichtmeister
Franz Josef
Marie Festetics
Katharina Lorenz
Marie Festetics
Ida Ferenczy
Jeanne Werner
Ida Ferenczy
Fanny Feifalik
Alma Hasun
Fanny Feifalik
Louis Le Prince
Finnegan Oldfield
Louis Le Prince
Ludwig II
Manuel Rubey
Ludwig II
Rudolf, Crown Prince of Austria
Aaron Friesz
Rudolf, Crown Prince of Austria
Bay Middleton
Colin Morgan
Bay Middleton
Gyula Andrássy
Tamás Lengyel
Gyula Andrássy
Mrs. Andrássy
Ivana Urban
Mrs. Andrássy
Georg Raab, Painter of the Court
Alexander Pschill
Georg Raab, Painter of the Court
The danger with fictional accounts of the lives of real people, is that it is frequently all to easy to poke holes in the plot. This is one such film that takes just a little too much creative licence with the the life of the Empress Elisabeth (Vicky Krieps). Wife of the famed Austro-Hungarian Emperor Franz Josef (Florian Teichtmeister), this film follows a supposed year in the life of this curious historical figure who, having suffered a family tragedy and enduring a rather estranged emotional relationship with her husband, spends much of her life obsessing with her weight and seeking solitude. Krieps is on good form, she creates a persona for her character that is effective to watch, but the mixture of modern and period scenarios (old buildings with modern fire doors; a cross-channel ferry!) seems anachronistic - to what end? The buildings in which she and her family inhabit have none of the opulence and grandeur of the Hofburg or Prague Castle, indeed the British home of her horse-master "Bay" (Colin Morgan) looks little better that a ramshackle ruin - and this is incongruous with the way we know she lived her life. Reclusive, yes, but still in splendour. It is also a particularly unremarkable year in her life to have chosen to illustrate. Not the previous ones where turbulence within the Imperial family reigned, not the famed "Mayerling" period which was ultimately held responsible for the final decline of this lady. There is also an highly speculative portrayal of her relationship with Bavaria's equally famous King Ludwig II (Manuel Rubey) that adds little. The denouement itself is presented here in a rather too bizarre fashion that disappointingly topped off this interesting but frankly flat and pace-less drama that offers us a glimpse of this intriguing woman, but little more of substance. Pity.
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