Mark Kerr
Dwayne Johnson
Mark Kerr

“The unforgettable true story of a UFC legend.”
In the late 1990s, up-and-coming mixed martial artist Mark Kerr aspires to become the greatest fighter in the world. However, he must also battle his opioid dependence and a volatile relationship with his girlfriend Dawn.
Trailer #2 Official
Mark Kerr
Dwayne Johnson
Mark Kerr
Dawn Staples
Emily Blunt
Dawn Staples
Mark Coleman
Ryan Bader
Mark Coleman
Bas Rutten
Bas Rutten
Bas Rutten
Elizabeth Coleman
Lyndsey Gavin
Elizabeth Coleman
McKenzie Coleman
Zoe Kosovic
McKenzie Coleman
Igor Vovchanchyn
Oleksandr Usyk
Igor Vovchanchyn
Enson Inoue
Satoshi Ishii
Enson Inoue
Akira Shoji
James Moontasri
Akira Shoji
Kazuyuki Fujita
Yoko Hamamura
Kazuyuki Fujita
Masaaki Satake
Paul Cheng
Masaaki Satake
Paul Varelans
Andre Tricoteux
Paul Varelans
Mickey O’Rourke had a go in 2008 and Orlando Bloom earlier this year in “The Cut”, so now it’s the turn of Dwayne Johnson to bulk up and out to deliver a biopic of UFC pioneer Mark Kerr. This is all set at a time when he can make a living for himself and girlfriend Dawn (Emily Blunt) but there are no Ferraris and swimming pools for them. For that he has to win the Grand Prix in Japan and that involves his embarking on the ultimate in fitness and endurance regimes, aided by his own chemical romances that frequently seem to render him little better than catatonic. Domestic dysfunction ensues as he has to face up to his responsibilities and settle his priorities before what he has comes crumbling down. It’s a true story, but it just didn’t engage me at all. Johnson comes across well as the amiable and dedicated athlete, but a film about any sport that requires a rule change to ban eye gouging was probably never really going to work for me. The fight scene are sparing, occasionally graphic, and they do convey just how brutal this mixed martial arts combat can be, but the characterisations here are just all too sterile to engage. Whilst Kerr comes across as a decent human being, Blunt’s performance doesn’t really make anything like enough impact as it trundles along without much from the dialogue to make me care. Tangentially, it does quite enjoyably poke some fun at the inanity and banality of sport’s broadcasting punditry and I didn’t hate it, but I’ll probably never watch it again.
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